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Studio Gear
Merging Pyramix 5
Mykerinos MB5, MB1
Avalon Vt-747 sp Class A, Vacuum Tube-Discrete
    Twin Signal Path Opto-Compressor-EQ

dbx 586 Dual Vacuum Tube Preamp
dbx 386 Dual Vacuum Tube Preamp
Drawmer 1960 Dual Vacuum Tube
    Compressor/Preamp
GML 8304 George Massenburg Four Channel Preamp
NEVE 1290 original/vintage 3-stage gain preamp
PreSonus M80 Eight Channel Jensen-
    Transformer Preamp
(Original 1999 spec.)
PreSonus M80 Eight Channel Preamp (2000 spec.)
Radial JDI's
Mackie HR824 Studio Monitors
RME ADI-8 DS (Synthax)
RME Fireface 800 (192 kHz) x2
RME Hammerfall DSP Multiface
Sony DTC-A8 Digital Audio Tape
Tascam US-2400 25 touch-sensitive moving faders
  • more components and intruments(.pdf 90KB)
  • Mics
    AKG D 112
    AKG C 414 B-TL II
    AKG C 418 PP (x3)
    AKG C 419 PP (x2)
    Audix D1, D2 (x2), D4
    DPA (Bruel & Kjaer) 4052 x2(matched pair)
    DPA 3521 matched stereokit(4021 x2 same ref.4011)
    DPA 4061-BM x3 (IMK4061 kit) (DPA MPS6010)
    Electrovoice N/D868
    Earthworks QTC50 x2(matched pair)
    Neumann KMS 105 (x3)
    Neumann TLM 103 x2(matched pair)
    Neumann KM 143 x2(matched pair)
    Neumann KMS 150
    Oktava MC-012 x2(6 multi-capsules)
    Schoeps CMC5 w/ MK6 capsule (x2)
    Schoeps MK41 x2(matched pair)
    Sennheiser MD421 U5
    Shure Beta 52
    Shure Beta 91
    Shure SM57 (x4)
    Full microphone list click here

    For live venues, professional mic splitters are used to ensure high quality preamps and signal fidelity.
    Articles
    - Mic Preamps - The Tranformerless Advantage
    - DPA 4021 First choice for ORTF
    - DPA 4052 on Bass
    - Development of greatest hand-held vocal mic
    - Joerg Wuttke of Schoeps
    - RME vs. Apogee
    - M80 Transformer Comparison
    Studio Gear
    Merging Pyramix 5
    Mykerinos MB5, MB1
    Avalon Vt-747 sp Class A, Vacuum Tube-Discrete
        Twin Signal Path Opto-Compressor-EQ

    dbx 586 Dual Vacuum Tube Preamp
    dbx 386 Dual Vacuum Tube Preamp
    Drawmer 1960 Dual Vacuum Tube
        Compressor/Preamp
    GML 8304 George Massenburg Four Channel Preamp
    NEVE 1290 original/vintage 3-stage gain preamp
    PreSonus M80 Eight Channel Jensen-
        Transformer Preamp
    (Original 1999 spec.)
    PreSonus M80 Eight Channel Preamp (2000 spec.)
    Radial JDI's
    Mackie HR824 Studio Monitors
    RME ADI-8 DS (Synthax)
    RME Fireface 800 (192 kHz) x2
    RME Hammerfall DSP Multiface
    Sony DTC-A8 Digital Audio Tape
    Tascam US-2400 25 touch-sensitive moving faders
  • more components and intruments(.pdf 90KB)
  • Mics
    AKG D 112
    AKG C 414 B-TL II
    AKG C 418 PP (x3)
    AKG C 419 PP (x2)
    Audix D1, D2 (x2), D4
    DPA (Bruel & Kjaer) 4052 x2(matched pair)
    DPA 3521 matched stereokit(4021 x2 same ref.4011)
    DPA 4061-BM x3 (IMK4061 kit) (DPA MPS6010)
    Earthworks QTC50 x2(matched pair)
    Electrovoice N/D868
    Neumann KMS 105 (x3)
    Neumann TLM 103 x2(matched pair)
    Neumann KM 143 x2(matched pair)
    Neumann KMS 150
    Oktava MC-012 x2(6 multi-capsules)
    Schoeps CMC5 w/ MK6 capsule (x2)
    Schoeps MK41 x2(matched pair)
    Sennheiser MD421 U5
    Shure Beta 52
    Shure Beta 91
    Shure SM57 (x4)
    Full microphone list click here

    For live venues, professional mic splitters are used to ensure high quality preamps and signal fidelity.
    Articles
    - Mic Preamps - The Tranformerless Advantage
    - DPA 4021 First choice for ORTF
    - DPA 4052 on Bass
    - Development of greatest hand-held vocal mic
    - Joerg Wuttke of Schoeps
    - RME vs. Apogee
    - M80 Transformer Comparison
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